Good morning, loyal readers, yesterday bayu had shared information about the types of puppets and puppet types, one of which is a puppet show, for the reader ketahu on the type of shadow play was still another kind of stout kind as Associate Puppet, Wayang Gedog, and on occasion there Dupara Puppet kaliini I will not discuss about the Puppet Associate, Gedog Puppet and Puppet Dupara but rather about "Puppet prototype".
Wayang shadow puppet prototype or prototypes. Said prototype (the first) is used to distinguish this type of puppet with another puppet. Many types of wayang shadow puppets from revelation, Sadat puppet, puppet gedhog, deer puppets, puppets Pancasila and so on. Means the initial prototype, puppet prototype is expected to have the oldest age among other puppet. The possibility of the existence of shadow puppets purwa news can be seen from the inscription on ababd 11 during the reign of grants which states:
"Hanonton ringgit manangis young asekel hidepan, huwus wruh towin jan walulang inukir molah angucap" (Some people see the puppet tears, amazed, and saddened his heart. Although it is understood that the views were shaped carved leather only people can move around and talk).
Excerpt above is the temple of 59 in the work of Professor Kakawin Wiwaha Kanwa Arjuna (1030), one of the oldest written sources and authentic about the puppet show that began to be known in Java, during the reign of the kingdom of Kediri Dharmawangsa Airlangga.
Puppet prototype itself is usually used stories of Ramayana and Mahabharata, whereas if it has penetrated into the story is usually presented with a puppet Flag Gedhog. Puppet prototype itself consists of several styles or gagrak, there gagrak Kasunanan, Mangkunegaran, Ngayogjakarta, Banyumasan, Jawatimuran, Kedu, Cirebon, and sebagainnya.
Prototype puppet made of buffalo skin, which is carved, are colored in accordance with the rules of the outward appearance of wayang puppetry, given a stalk of albino buffalo horn material that is processed in such a way as cempurit consisting of pointing and pinchers.
Judging from the rise and puppet forms can be classified into several groups, among others: Puppet golden deer; sized puppets are not too big nor too small, according to the need for a performer (wayang puppetry). Puppet Ageng; the puppets that are large, especially members of the body in the stomach and legs than usual puppets, puppets called wayang jujudan. Puppet capers; the puppets that are smaller than the ordinary puppet. Puppet Kateb, ie the size puppets terlalku long legs are not balanced by the body.
In the development of the shape of this shadow play have evolved from a tradition even shift into new creations. Surakarta Palace in the days still prevail in the puppet made a very large size which later was named Kyai overdo, it may inspire the mastermind especially Surakarta to make puppets with bigger size. For example, Alm Ki Mulyanto mangkudarsono of Sragen Java is making giant with a size of 2 meters, with a sheet material of the buffalo skin and still be connected again. This work is then imitated by others, including Ki Young Masterminds Entus of Tegal, Ki Purbo Asmoro Surakarta, Ki Sudirman Sragen role in many more.
Ki Entus Susumono of Tegal even have a lot to make this puppet creations, ranging from planetary puppets, puppet cartoon characters like superman, batman, black steel Satriya, robots, dinosaurs, and puppet-Wong Rai (poker people), George Walker Bush figures, Saddam Hussain, to the figures of government officials. Ki Entus also combine with the Wayang puppet gagrak Cirebonan gagrak Surakarta (form the top and bottom of the puppet cirebon Surakarta).
The addition of the wayang puppet figures in the skin is also more prevalent, for example by ditambahkanya various puppet characters from the police, helicopters, motor ambulances, army ranks, players Drum band, to figure Mbah Marijan.
1. Wayang Purwa symbolizes human life in the world. Basically, the genealogy of wayang is rooted in the gods named Hyang Manikmaya and Hyang Ismaya. They are sons of Hyang Tunggal. In the wayang performance, Hyang Tunggal is not visible. The two sons emerged as lights simultaneously. Manikmaya's light was glowing brightly. Ismaya's light was dark. Both of them competed to proclaim that they were the older of the two.
(Semar)
3. The spark light was named Manikmaya, who lives in Suralaya (the kingdom of gods). Manikmaya is so proud to himself since he perceives himself to have no weakness and to be powerful. That kind of attitudes makes Hyang Tunggal give him some weaknesses.
source: http://id.wikipedia.org/wiki/Wayang
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